Favorite
Artists
T-Vice
Roberto and Reynaldo Martino, the sons of renowned Haitian lead guitarist Robert Martino of the classic compas band, Top Vice, were musically inspired by them to create music of their own. In 1992, T-Vice was founded as a successor to Top Vice, in which the T- is shortened twice, once from Ti', then ultimately from the word petit, which is French (as well as Creole) for "small" (hence "Small" Vice).[6][7] They soon recruited longtime friends James Cardozo and Gérald Kébreau completing the original quartet and are still known as such today.
T-Vice band is based in Miami, Fl. It was formed in 1991. Musical influences include reggae, merengue, flamenco and rock n’ roll. Unlike most Haitian bands, T-Vice's reach extends outside of Haiti to as far as the US, Caribbean and even Europe. T-Vice collaborates with other popular Haitian bands, most notably, Carimi and even their rival band Djakout Mizik. They have also worked with the famous Haitian rapper Wyclef Jean and Jamaican musician Buju Banton.
Emeline Michel
Emeline Michel, born in Gonaïves, is a Haitian singer who has been called "The Joni Mitchell of Haiti." Her songs merge native Haitian compas and rara music with jazz, pop, bossa nova, and samba. She is a well accomplished dancer, versatile vocalist, songwriter and producer. She sang a version of Jimmy Cliff's "Many Rivers to Cross" at Hope for Haiti Now: A Global Benefit for Earthquake Relief.
Tafa Mi-Soleil
Evenie Rose Thafaïna Saint-Louis, better known by her stage name Tafa Mi-Soleil, was born in 1998, in Fort Jacques, Haiti. She is a rising star in Haitian music, with a unique voice and a deep commitment to promoting women's and minority rights. In addition to her music, Mi-Soleil involved in theater and painting.
D.P. Express
D.P. Express is a Haitian musical group known for their contributions to the Haitian music scene, with notable lead singers like Hervé Bleus and Antoine "Ti Manno" Jean-Baptiste.
D.P. Express played a significant role in shaping the contemporary musical landscape of Haiti, contributing to the genesis of today's vibrant scene.
Michel Martelly
Michel Joseph Martelly[1] (French pronunciation: [miʃɛl ʒɔzɛf maʁteli]; born 12 February 1961[2]) is a Haitian singer and former politician who went on to serve as the President of Haiti from May 2011 until February 2016. He is from Côte-de-fer, a commune located in the South East region of Haiti. Martelly was one of Haiti's best-known musicians for over a decade, going by the stage name Sweet Micky. For business and musical reasons, Martelly has moved a number of times between the United States and Haiti. When travelling to the United States, Martelly mostly stays in Florida. After his presidency, Martelly returned to his former band (Sweet Micky) and sung a carnival meringue entitled Bal Bannan nan (Give her the banana), a message as a response to Liliane Pierre Paul, a famous Haitian female journalist in Port-au-prince
Sweet Micky
Michel Joseph Martelly[1] (French pronunciation: [miʃɛl ʒɔzɛf maʁteli]; born 12 February 1961[2]) is a Haitian singer and former politician who went on to serve as the President of Haiti from May 2011 until February 2016. He is from Côte-de-fer, a commune located in the South East region of Haiti. Martelly was one of Haiti's best-known musicians for over a decade, going by the stage name Sweet Micky. For business and musical reasons, Martelly has moved a number of times between the United States and Haiti. When travelling to the United States, Martelly mostly stays in Florida. After his presidency, Martelly returned to his former band (Sweet Micky) and sung a carnival meringue entitled Bal Bannan nan (Give her the banana), a message as a response to Liliane Pierre Paul, a famous Haitian female journalist in Port-au-prince
Carole Demesmin
Today, Carole Demesmin is an older lady singer and a powerful Vodou priestess, or a manbo. She now mostly sits and only sometimes comments instead of being the cultural doer that she once was. She tells her memories. Before it, she was a socially and politically conscious young woman in bright colors on a vinyl cover. She sang Vodou culture songs that some in Haiti, who preferred to mimic European culture, shunned. She also sang songs about the tribulations of the country’s poor. She was a singer seen on television and heard on the radio who time and time again fed Haitian life with her a love of selfhood. As a token of their gratitude, Haitians have declared her a legend.
Carole Demesmin was at first a middle class Haitian girl from Leogane who had moved to the United States who knew very little if nothing at all about Vodou. Leogane is a city known for its Rara bands; pre-columbian culture marching bands heavily steeped in Vodou that still exist today. Regardless, she was not aware of it. She learned of Vodou in the United States, as many Haitians do. Inspired, she went on to release the majestic album Carole Maroule in 1979.
Carole Demesmin – Carole Maroule
She moved back to Haiti in the early 1980’s and became one of the great singers of her people’s struggle, a people who would overthrow a dictator in 1986, a people who would be massacred by its own army in the early 1990’s and who would know a bittersweet version of democracy that would send it into a disastrous tailspin that still affects Haiti today. As things turned sometimes for the better and sometimes for the worst, she became a priestess of Vodou religion and released the albums Min Rara, Lawouze, and Kongayiti-Afrika, all to signify that we Haitians are Africans in the New World who want respect.
Her commitment to Vodou was as correct as it is beautifully expressed. No human being should be obliged to believe in a specific God or in one God. We human beings have not been successful at upholding that as a human right. Christian institutions, descendants of Roman Christianity and always close to political and social power, has done a lot of damage to one’s ability to practice another religion with dignity. It forced the polytheist slaves of the Western Hemisphere into an odd form of secrecy; they could not practice their faith in public and so their descendants have taken on similar postures. Her commitment did wonders for Haitian culture and for Haitian song. It imposed itself in public, gladly, without remorse.
Courtesy: Adolf Alzuphar
Manno Charlemagne
Joseph Emmanuel "Manno" Charlemagne (April 14, 1948[2] – December 10, 2017)[3] was a Haitian political folk singer, songwriter and acoustic guitarist, political activist and politician. He recorded his political chansons in both French and in Creole. He lived abroad in exile twice, both during the 1980s and again during the years 1991–1994, when the country was ruled by a military junta led by Raoul Cédras.